Dance:-

Navina Jafa is both a concert artist of Kathak and a scholar on the dance form.. Her specialization in performance ranges from producing choreographic pieces that a grounded in deep research but also rendering effective lecture demonstrations linking the Kathak format with several other issues – Conflict Transformation; Education & Dance; Storytelling and Dance. Her work in the field of dance also contains experimental work such as Bound Unbound with a Pakistani Photographer Mansoora Hasan, and Dance in Clay an experiment with Rachael Cohen an American Modern Dancer and Patty Rosenblatt.

She was awarded the best dancers award in a national dance competition Sangeetayan, and was the recipient of the National Research scholarship of Dance (Government of India). Navina combines her performance with a deep scholarship of Kathak, and has completed her PhD on the dance form and related performing communities, patronage, performing structures, and nuances. She was appointed Research Scholar with the Kathak Kendra in 1998-99; her job was to build linkages between theoretical and practical traditions.

National Museum: ( 2008) The Concept of Spring in Indian Dance : A choreographic composition and a lecture of the ethos of Spring,

Ultimate Ecstacy: (2009)  Spirituality and Mysticism : Sufism :  A performance and lecture on by Dr. Navina Jafa,

Agra Bazaar: (2009) An initiative of the non profit organization Asian Heritage Foundation that recreated the value of cultural and creative industries in the form of an innovative Theatre where the audience were actors as well. Dr. Jafa was commissioned to choreograph and perform a special section on coutesans and Sufi music, and

Solah Sringar: (2010) A Choreography with 12 dancers on the concept of the art of decoration of an Indian Bride. Commissioned by Rajeev Scenegraphers.

She Continues vigorous practice, and is working on the mimetic aspect of Kathak which is languishing tradition. She learned for a while from well known dancer Ms. Uma Sharma, the art of abhinaya.

Training in Dance:-Navina Trained with Maestro Pandit Birju Maharaj for over 10 years. Her training started at age of 10 with Late Ratan Lal in Lahkimpur Kheri in Uttar Pradesh in the school of Jaipur gharana. She proceeded to train in Lucknow Gharana  at Kathak Kendra the National school of Kathak dance in New Delhi and was awarded the Kathak Kendra scholarship, with :-

  1. Mrs. Reba Vidyarthi, and
  2. Guru Munna Shuklia

She also trained with Ms. Uma Sharma in Abhinaya, selected performance & Lecture Demonstrations:-

  1. Aravali Center for Art and Culture: Kathak & Sufiana Kalam: Comments: CONGRATULATIONS and a Huge BIG THANK YOU for a mesmerising experience – a brilliant exposition of sufiana Kalam and the so very graceful old style, Kathak. It was indeed an outstanding lecture-demonstration, taking us all through the Sufi tradition, with its universal message of love and peace, so very relevant in the turbulent times, we live in.   –…. on behalf of The Aravali Center for Art and Culture: August 2008.
  2. For a Delegation from Sudan : Indian Council for Cultural Relations, April. 2008
  3. Perspective: Kathak – Dance on Trade Routes West and South Asia Linkages
  4. Building Bridges : To  find a connect between the cultural traditions of India and Pakistan
  5. Kennedy Center Millennium Stage. Washington DC
  6. Launch of the French Website of Incredible India, tourism of India,program
  7. Peace through Dance where she showcased three items that she composed: Ibadat written by Sufi Poet Amir Khusrau, The Dance of Shiva, and The Chants of Buddha – Salvation.
  8. Brandeis University Boston 2007
  9. National Museum: Linkages in Dance and Visual Arts; Kathak in Old Manuscripts
  10. Toured to Croatia, Belarus, Luxemburg, Czech Republic,Armenia as cultural ambassador through the Indian Council for Cultural Relations.
  11. Asian Dance Festival – Bangkok, Thailand – 1993 Participated Festival of India in erstwhile U.S.S.R. in 1987 .
  12. International Dance festival, Sweden, Norway

Research Papers on Dance:-

  1. Abhyas & Riyaz In Indo Islamic Traditions of Performing Arts in North India.
  2. Transitional Identities: Women Artists in Kathak Dance
  3. Kathak : The Sociology and History Its Name and Identity
  4. Audio Visual Imagery in Kathak Dance
  5. Kathak On Trade routes : West Asian Links & Antecedents of Kathak.
  6. Feet Foot work and Imprints
  7. Changing Performing Spaces & Aesthetics in Kathak
  8. Celebrating Feminism: Courtesans  in North Indian Performing Arts
  9. BOOK In Publication : Kathak: Creation of a Great Intangible Tradition

Crossing Borders: Experiments in Dance:-

  1. Bound – Unbound with Pakistani Photographer Mansoora Hasan
  2. A Dialogue: Dance in Clay  with American Clay Artist – Patty Rosenblatt and Modern dancer – Rachael Cohen at Sanskriti Kendra, Delhi
 
 
 
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