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Navina Jafa is both a concert artist of Kathak
and a scholar on the dance form.. Her specialization in
performance ranges from producing choreographic pieces
that a grounded in deep research but also rendering
effective lecture demonstrations linking the Kathak
format with several other issues – Conflict
Transformation; Education & Dance; Storytelling and
Dance. Her work in the field of dance also contains
experimental work such as Bound Unbound with a Pakistani
Photographer Mansoora Hasan, and Dance in Clay an
experiment with Rachael Cohen an American Modern Dancer
and Patty Rosenblatt.
She was awarded the
best dancers award in a national dance competition
Sangeetayan, and was the recipient of the National
Research scholarship of Dance (Government of India).
Navina combines her performance with a
deep scholarship of Kathak, and has completed her PhD on
the dance form and related performing communities,
patronage, performing structures, and nuances. She was
appointed Research Scholar with the Kathak Kendra in
1998-99; her job was to build linkages between
theoretical and practical traditions.
National Museum: ( 2008) The Concept of Spring in Indian Dance : A choreographic composition and a lecture of the ethos of Spring,
Ultimate Ecstacy: (2009) Spirituality and Mysticism : Sufism : A performance and lecture on by Dr. Navina Jafa,
Agra Bazaar: (2009) An initiative of the non profit organization Asian Heritage Foundation that recreated the value of cultural and creative industries in the form of an innovative Theatre where the audience were actors as well. Dr. Jafa was commissioned to choreograph and perform a special section on coutesans and Sufi music, and
Solah Sringar: (2010) A Choreography with 12 dancers on the concept of the art of decoration of an Indian Bride. Commissioned by Rajeev Scenegraphers.
She
Continues vigorous practice, and is working on the
mimetic aspect of Kathak which is languishing tradition.
She learned for a while from well known dancer Ms. Uma
Sharma, the art of abhinaya.
Training in
Dance:-Navina Trained with Maestro Pandit Birju Maharaj
for over 10 years. Her training started at age of 10
with Late Ratan Lal in Lahkimpur Kheri in Uttar Pradesh
in the school of Jaipur gharana. She proceeded to train
in Lucknow Gharana at Kathak Kendra the National
school of Kathak dance in New Delhi and was awarded the
Kathak Kendra scholarship, with
:-
-
Mrs. Reba Vidyarthi,
and
-
Guru Munna Shuklia
She
also trained with Ms. Uma Sharma in Abhinaya, selected
performance & Lecture Demonstrations:-
-
Aravali
Center for Art and Culture:
Kathak & Sufiana Kalam: Comments: CONGRATULATIONS and a Huge BIG THANK YOU for a
mesmerising experience – a brilliant exposition of
sufiana Kalam and the so very graceful old style,
Kathak. It was indeed an outstanding
lecture-demonstration, taking us all through the Sufi
tradition, with its universal message of love and
peace, so very relevant in the turbulent times, we
live in. –…. on behalf of The Aravali Center for Art and Culture:
August 2008.
- For a Delegation from Sudan : Indian
Council for Cultural Relations, April.
2008
-
Perspective: Kathak – Dance on Trade Routes
West and South Asia Linkages
-
Building
Bridges : To find a connect between the cultural
traditions of India and
Pakistan
- Kennedy Center
Millennium Stage. Washington
DC
- Launch of the French Website of Incredible
India, tourism of India,program
- Peace through Dance
where she showcased three items that she
composed: Ibadat written by Sufi Poet Amir Khusrau,
The Dance of Shiva, and The Chants of Buddha –
Salvation.
- Brandeis
University Boston
2007
-
National Museum:
Linkages in Dance and Visual Arts; Kathak
in Old Manuscripts
- Toured to Croatia, Belarus, Luxemburg,
Czech Republic,Armenia as cultural ambassador through
the Indian Council for Cultural
Relations.
- Asian Dance Festival – Bangkok,
Thailand – 1993 Participated Festival of India in
erstwhile U.S.S.R. in 1987
.
- International Dance festival, Sweden,
Norway
Research Papers on
Dance:-
- Abhyas & Riyaz In Indo Islamic
Traditions of Performing Arts in North
India.
- Transitional Identities: Women
Artists in Kathak Dance
-
Kathak : The Sociology and History
Its Name and Identity
-
Audio
Visual Imagery in Kathak Dance
- Kathak On Trade routes : West Asian
Links & Antecedents of
Kathak.
- Feet
Foot work and Imprints
- Changing Performing Spaces &
Aesthetics in Kathak
- Celebrating Feminism:
Courtesans in North Indian Performing
Arts
- BOOK
In Publication : Kathak: Creation of a Great
Intangible Tradition
Crossing Borders: Experiments in
Dance:-
-
Bound – Unbound with Pakistani Photographer
Mansoora Hasan
-
A Dialogue: Dance in Clay
with American Clay Artist – Patty Rosenblatt
and Modern dancer – Rachael Cohen at Sanskriti
Kendra,
Delhi
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